In just about every Diana Wynne Jones novel, there is a moment in which a child looks at an adult and realizes that behind that face is another person. A flawed person, a person with their own strengths, weaknesses, and failings. A complex person who is capable of anything.
It’s a moment of consciousness, and in “One Crazy Summer,” the growth of her consciousness is the subject of the entire novel. Her consciousness of herself as a young black woman, her consciousness of the historical moment she lives in–but most of all, her consciousness of her mother.
Abandonment is never an easy thing for a child to deal with. Abandonment by a mother, which is so unusual that it means constant reminders of the child’s strangeness, is perhaps even harder to deal with than a father’s abandonment. But to hold onto hate and resentment is poisonous, and it takes all summer for her to finally release her pent up frustration at her mother, to shout her blame.
That’s when she finally learns her mother’s story. That’s when she finally sees the person under “mother.” When she understands that to be a woman is not always an easy thing, and that sometimes adults have to choose between betraying themselves and betraying those who love them.
The question of names is a recurring theme in “One Crazy Summer.” Black Panthers choose new names and call each other “brother” and “sister.” Her mother has chosen a new name, and writes her poetry under it. And her mother refuses to use her youngest daughter’s name, because it was not the name she chose for her.
But her mother has to change too, and everyone must choose their own names. She makes the choice to tell her little sister what her first name was. She gives her little sister ownership of that name. And it doesn’t disempower her mother–instead, it makes them closer.
We are all who we choose to be. Those choices define us. And every kid has to learn that the adults in their lives have made choices. And to grow up is to understand why those choices were made. Why those names were chosen.